2025: Top Ten

Musically, 2025 was just another year. Mid, as kids today would say. Which does not mean, of course, that any of these ten albums are anything less than excellent. 

10. Cold Specks - Light For The Midnight 

It saddens me that nobody noticed this album. In all fairness, I did not notice this album either, and only heard it two months after its very low-key release. While Light Of Midnight does not reach the artistic heights of Neuroplasticity, it is definitely an improvement on the somewhat middling Fool's Paradise. She is a very special talent with a knack for a soulful melody and a real personality to back it up. Fantastic voice, too.

Best song: "How It Feels"

9. Luke Haines & Peter Buck - Going Down To The River... To Blow My Mind

They keep churning them out, Luke Haines and Peter Buck. Looks like they enjoy each other's company, and if this results in albums as good as this, then so be it. Going Down To The River is my least favourite of the three collaborations, but this is still full of Haines' sinister melodic wit and Peter Buck's tasteful guitar freakouts. Excellent rock album.

Best song: "56 Nervous Breakdowns"

8. Black Country, New Road - Forever Howlong

I was at their show back in October 2023 where they presented a few of these songs. During the concert, they sounded like the best thing in the world. In their final studio form, however, the songs feel a little too self-conscious and clever for their own good. Still, the talent (vocal, songwriting, instrumental) involved here is incredible. Really, other than the faceless title song, this is great: twisted, inventive, and extremely rewarding.

Best song: "Two Horses"

7. Patrick Wolf - Crying The Neck

This was Patrick's first album in 14 years, and aside from the glowing review in Quietus, I did not see much love for it. A shame. There is actually a part of me that thinks Crying The Neck is his most consistent album ever. Perhaps it does not have the fantastic peaks of "Paris" or "The Magic Position", but each one of these 13 songs has something to offer. Charismatic chamber pop, steeped in folk music, mystical lyricism and the man's unfading melodic sensibilities.

Best song: "Jupiter"

6. Neko Case - Neon Grey Midnight Green

Again, I'm shocked to see that so few reputable publications included Neon Grey Midnight Green in their end-of-year lists. Because if not for a couple of somewhat uneventful songs in the middle (sometimes she taps into country music a little too much for my liking), this could easily be in my top 5. Side one is some of her best music ever, and she goes so effortlessly from the Laurie Anderson-inspired "Tomboy Gold" to the intense, driving second half of the title song. One of the best singer-songwriters in business.

Best song: "Winchester Mansion Of Sound"

5. The Delines - Mr. Luck & Ms. Doom

This is such an accomplished, immaculate album that you almost take it for granted. The Delines found that sweet spot back in 2014 with the classic debut album and have been doing the same thing for more than ten years now. And it just works. Mr. Luck & Ms. Doom is soulful, classy Americana that is equally charming and heart-breaking. Their best music since the aforementioned Colfax.

Best song: "Maureen's Gone Missing"

4. Stereolab - Instant Holograms On Metal Film

I will have to admit that Stereolab had always been a band I respected rather than loved, but this latest album, their first after a 15-year hiatus, is pure aural joy. It's hard to pin them down in terms of genre (krautrock, indie-pop, post-rock, chamber pop - it's all in here), but does it even matter? What matters is that these songs are full of hooks, personality, style and sometimes the French language. 

Best song: "Aerial Troubles"

3. Geese - Getting Killed

The amount of sheer euphoria on this album is truly staggering. I used to be an ardent agnostic when it comes to Geese (their first albums did not impress me, and neither did the acclaimed solo record by Cameron Winter), but Getting Killed finally won me over. Adventurous, hook-filled rock music that works even when it shouldn't ("Half Real") and simply blows me away with that final two-song punch. I can't wait to hear what they do next.

Best song: "Taxes"

2. Rober Forster - Strawberries

Robert Forster is one of the best songwriters around, still. I was underwhelmed by the leading single (title song), which seemed a little too cutesy and Lovin' Spoonful-lite to me, but the moment "Tell It Back To Me" started playing, I got my album of the year (almost). So much personality in these melodies, so much class in these lyrics. 

Best song: "Tell It Back To Me"

1. Pulp - More

Pulp came back in style, but how else? You couldn't really expect that Jarvis Cocker would not bring the songs. More is playful, infectious and full of nostalgia that doesn't grate. I do not yet know how it compares to their classic three (let's wait and see), but this definitely met my expectations and had, in "Tina" and especially "Grown-Ups", some of their greatest songs ever. 

Best song: "Grown-Ups"

***

Song of the Year.

Quite a few candidates, but in the end it was simply impossible to look past this:

Яшчэ раз пра кнігі

Канец года, і добрая нагода яшчэ раз дадаць спасылкі на мае кнігі, якія па-ранейшаму можна набыць у варшаўскіх крамах, а таксама ў інтэрнэце.

Першая кніга, "Жыццё ў дванаццаці апавяданнях": 

https://knihauka.com/pravalocki

Другая кніга, "Цягнік да Познаня": 

https://gutenbergpublisher.eu/shop/ciahnik/

Ну і вось водгук ад Сяргея Дубаўца, які, як мне падаецца, добра перадае атмасферу і сутнасць кнігі.

Film review: ANNIVERSARY by Jan Komasa

Jan Komasa really took a gamble here. Anniversary is his first film released outside Poland, and for his English-language debut he chose to go all in. Well, maybe not all in, but it certainly takes guts to exploit the current state of American society with a political psychodrama. Audacious would be an understatement. 

The film got little to no promotion from Lionsgate studios which feared Anniversary would prove too controversial. This is sad for two reasons. First, the film is likely to end up being a box office flop. Secondly, it is a really powerful cinematic experience, one that will haunt you long after the end credits.

It will not flop in Poland, however. Polish people love their heroes, and a relatively young filmmaker doing it in the US (and Great Britain, too; Komasa's second film, The Good Boy, is coming out in 2026) will not go unnoticed. The cinema hall in Wroclaw where I watched it a little while ago was anything but empty. The audience was buzzing excitedly at the start of the screening, and left limping and downtrodden, haunted and traumatised. It is that kind of film.

And yet it is exactly what you would expect from Jan Komasa. If you have seen Hater or Corpus Christi, you have to realise that the bleakness will be gripping and the smiles will be compromised. Gripping is the word here. For all its darkness and ever-impending gloom, Anniversary is extremely watchable. Partly this is due to exemplary acting (Diane Lane, Kyle Chandler, Dylan O'Brien, Phoebe Dynevor - they all excel) and partly due to the meticulous, smart direction. 

Oddly, the trailer almost makes it seem like a horror film - but it isn't, or at the very least the horror is manifested in a different way. We start with a close-up of Elizabeth Nettles, a young woman who is about to be introduced to her boyfriend's parents at their 25th anniversary party. She is carefully practicing exactly what she is about to say. Because there is a past: she used to be a student of her boyfriend's mother, a radical one, with some hair-raising views of democracy. What soon transpires is that she has actually written a book about the future of America, and the cult following soon becomes reality. The whole thing unfolds in a gradual but totally relentless way. Like a heavy train that just won't stop. It is a chilling, absolutely brutal experience. But God you cannot look away. 

Anniversary tackles a lot of things, and some could say that it tries to handle way too much for a film under 120 minutes. There is a difficult question of modern-day academia. Conformism. Democracy. US politics. Family dynamics (there is a particular Thanksgiving Party scene that is some of the tensest and unbearable filmmaking I have seen in a while). However, I would argue that the film deals with all of those issues quite well, and manages to weave them all into one coherent narrative. The most common issue raised by American critics is that the film does not take sides. Which is interesting. Not in the sense that it does actually take sides (it does not), but in the sense that it is viewed as a flaw (and this, I believe, is where we come to the very line that separates Hollywood from European cinema).

There is no moment of respite here, though, not for one second. It is just this one ruthless onslaught, and maybe I do miss a little humour (I don't mean jokes), a little heart - sometimes Anniversary may feel a little too slick and calculated, a little too perfectly conceived and executed. After the first fifteen minutes of the film, the only genuine smile you see in the film comes from Josh (Dylan O'Brien), Elizabeth's boyfriend and future husband. But it is the kind of smile that will fry your nerves and fill you with utter hate. 

P.S. Also, just for the record, "Don't Dream It's Over" truly is one of the finest pop songs ever written.